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Slideshow

News

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Rachel Thompson

Harvard College

 

Exploding the Sentence:

Jack Kerouac’s Othering and the Cultural Production of Art

 

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Marcus Hurney

The University of Georgia

 

 

The Man Without Qualities and Against Method: Mythologizing Science

 

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Ashanti Henderson

The University of Georgia

 

The Legacy of the Holocaust: Silencing the Survivor in "Twilight" and "Hayuta's Engagement Party"

 

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Anisha Hegde

The University of Georgia

 

The Waste Land and “Funes el memorioso”:

Resurrection in Rainstorms and Reflection

 

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Lara Mengak

The University of Georgia

 

Life beyond the Green Wall: Limiting the Limitless in Zamyatin's We

 

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Erin Smith

The University of Georgia

 

 “Written in Pencil in the Sealed Boxcar”: Voices from the Periphery

 

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Note from the Editor:

Sorcery, Silence, and Becoming-Comparative Literature

 

Animal, Artist, Hybrid

 

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A Note from the Editor:

The Role of the Critic

 

Thomas Prendergast

The University of Chicago

 

Im Anfang war das Wort:

Vichian Theories of Language, Genius, and History in Goethe’s Faust

 

 

Sophia Natasha Sunseri

The University of Toronto

 

The Incommensurability of Past and Present:

An Exploration of Subjectivity in “Philomena and Procne”

 

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